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Hogwarts in the Snow

HOGWARTS IN THE SNOW

Saturday 19th November - Sunday 29th January

Hogwarts In The Snow

This festive season, you are invited to experience Christmas time at Hogwarts and discover how film-makers created fire, ice and snow that never melts as we undergo a magical makeover for Hogwarts in the Snow.

Christmas trees will line the Great Hall, the Gryffindor common room will be dressed for the season and a blanket of filmmaking snow will be meticulously applied to the majestic Hogwarts castle model.

After stepping onto the original stone floor of the iconic Great Hall, you will spot wreaths, garlands and trees decked with golden baubles that are topped with witches on miniature broomsticks. The long dining tables will be dressed as they were for seasonal feasts at Hogwarts with prop versions of roast turkeys, hams studded with cherries and even flaming Christmas puddings.

The Gryffindor Common Room and Boys’ Dormitory will be decorated with the original props including handmade Christmas cards, some of which were made by the cast members during production.

The Hogwarts castle model will be transformed for the occasion by a team led by Model Effects Supervisor José Granell, who worked on the Harry Potter film series. During filming, a member of the crew climbed aboard an elevated work platform and sprinkled the ‘snow’ mixture of granulated paper and grains of salt onto the model by hand with a sieve – like dusting sugar onto a cake. The same process will be used at the Studio Tour this November. You will even be able to touch samples of the different types of ‘snow’ used during production, each selected for its ability to float like falling snow, crunch under foot or glisten in the light like ice.

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DIRECTING DOBBY

Saturday 4th February - Friday 31st March

Directing Dobby

You are invited to discover the behind-the-scenes secrets of everybody’s favourite house-elf as we unveil a special feature dedicated to Dobby. Filmmakers went through multiple processes and techniques to create Dobby from a tennis ball on a stick to a full sized, intricately detailed, physical model, both of which will be on display for the special feature. You will also be able to make Dobby copy their movements in a new interactive experience that demonstrates the motion capture technology used to bring CGI characters to life on screen.

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WIZARDING WARDROBES

Friday 21st July - Monday 4th September

Wizarding Wardrobes

Thousands of costumes were created during the ten years of filming, from Hogwarts school robes and Hermione’s beautiful Yule Ball gown to ghost costumes that could appear transparent via visual effects. During this special feature, visitors will discover the incredible craftsmanship and artistry that went into creating the visual world of Harry Potter, as the Studio Tour showcases some of the best never-before-seen costumes from the magical film series. Visitors will be able to see the whole process from initial designs to the finished costume, as well as learning how new clothes were made to look centuries old or battle-torn through the art of costume distressing.

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DARK ARTS

Friday 27th October - Monday 6th November

Dark Arts

For a limited time only, visitors will get the chance to delve deeper than ever before into the sinister world of Dark Arts. Visitors can try out their wand combat techniques against a Death Eater or walk down a darker, spookier Diagon Alley. As part of the feature, the lights in the wizarding shopping street will be dimmed, the music will become more foreboding and the set will be patrolled by He-Who-Must-Not-Be-Named's followers.

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HOGWARTS IN THE SNOW

Saturday 18th November - Sunday 4th February

Hogwarts in the Snow

2017 will conclude with the return of the Studio Tour’s popular festive feature, Hogwarts in the Snow, running from 18th November – 4th February 2018. The festive makeover will see Christmas trees line the Great Hall, the Gryffindor common room dressed for the season and a blanket of filmmaking snow covering the majestic Hogwarts castle model. Visitors will even be able to touch samples of the different types of ‘snow’ used during production, each selected for its ability to float like falling snow, crunch under foot or glisten in the light like ice.

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